After spending several years exploring more contemporary genres, director Mario Bava (BLACK SUNDAY) returned with BARON BLOOD to the gothic as a setting for a gruesome thriller. Working with producer ...

As Eurohorror pioneer Jean Rollin (Requiem for a Vampire, The Iron Rose) approached the sunset of his career, he distilled the dreamlike images and themes of his work into films that were deeply perso...

Flirting with the conventions of blaxploitation and horror, Bill Gunn’s revolutionary independent film Ganja & Hess is a highly stylized and utterly original treatise on sex, religion, and A...

LIPS OF BLOOD (Levres de sang) was considered by Jean Rollin to be the best, or most developed, story he ever wrote. Of all his films, it perhaps best transcends his tendencies toward the poetical and...

A cornerstone of the horror film, F.W. Murnau's NOSFERATU: A SYMPHONY OF HORROR is resurrected in an HD edition mastered from the acclaimed 35mm restoration by the Friedrich-Wilhelm-Murnau-Stiftung. B...

Wealthy industrialist Georges Radamante (Maurice Lemaitre) has dreams of immortality. Not through his own achievements, but by finding a way to share the biochemistry of the mute, orphaned vampire wom...

A psychiatrist (Bernard Letrou) ventures to a remote castle to convince a brood of four vampire sisters that they are misguided, brainwashed by superstitious villagers, and not truly creatures of the ...

REQUIEM?FOR?A?VAMPIRE (Requiem pour un vampire) was Jean Rollin’s favorite of all his films. Because he dredged the scenario from his subconscious, and because it was rushed into its written for...

THE SHIVER OF THE VAMPIRES (Le frisson des vampires) is a most unorthodox vampire film; by turns, it is magical, eccentric, poetical, erotic, philosophical and, whenever the vampire cousins are onscre...

TWO ORPHAN VAMPIRES (Les Deux Orphelines Vampires) follows Henriette and Louise (Isabelle Teboul and Alexandra Pic), two blind girls of unknown origin, raised in an orphanage by two adoring nuns. Litt...